Now about the Bender cut... and Daniel M. I figured he would've chimed in by now.
Just got back from Rhode Island... beautiful weather and some pristine (reminds me of my childhood) beaches tucked away from the modern world. Good for the soul!
I too was one of those kids to that walked into he saw shop for the first time at 22, barely knowing which end of the saw to hold, and up on the door was Jerry B's poster. Seeing that poster was like seeing the grand canyon for the first time. It was awe-inspiring!!! It's arguably the most iconic image in the industry,
Then reading his book (over and over again), which I can't even put into words how incredible the writing and knowledge are. And then better yet, being able to commune here with Jerry B right here at the house!
PINCH ME CAUSE I MUST BE DREAMING! That is how awesome you are to me, Jerry. And beyond being an iconic larger than life folk hero (humbly standing up to a system of mind control in the tre care industry) you are a fine man with a kind heart and great wisdom (in life as much as tree work) And willingness to freely share with others is huge. That's how I see you and pretty sure everybody else here feels the same.
And to the extent that I have anything to share with this industry, it is only because I AM standing on the shoulders of great men, such as yourself, Doug Dent, Mark Chisholm, Kenny, and John Grier.
Obviously I named this cut the side bender because of it's similarity to "the bender" (pg 175 in the FGTW). Both cuts use multiple kerf cuts without employing a notch. But the image on page 175 and description on page 176 differ widely from the cut demonstrated and discussed in the video. To call them "the same cut" would be like calling two knots the same knot because they both use exclusively bends or turns.
The sole purpose of the side bender is to turn a horizontal or near horizontal limb with the cut only. The series of kerf cuts are angled to induce a sideways movement, and staggered in a very specific way resembling the soft dutchman. In fact, it was the soft Dutchman that inspired with cut, not the bender. The side bender takes the Doft Dutch, minus the notch: takes it upstairs and turns it on its side, much as Kenny did with the taperd hinge many years.
The diagram on page 175 depicts multiple parallel kerf cuts of varying depths: all horizontal, facing downwards (from the look of it). These multiple downward facing kerf cuts are used to get the limb to "settle" with "slow movement". The very nature of this cut creates great potential for pinching the bar. The settling limb is going to pinch the bar if the saw is not pulled out quickly. The need to make so many undercuts to get the limb to slowly settle, with each kerf creating the potential for a pinched saw, is problematic.
That is not an issue with the side bender as side cuts have a great resistance to pinching the saw. The purpose is not to get the limb to settle (gently laying down on rooves and fences(as stated on pg 1760, but instead to create a fast-moving tip that gains enough sideways momentum to clear an obstacle, once the holding wood fails and there is speration. This fast movement of the side bender stands in stark contrast to the slow movement of the bender, which is the main principle and objective of the cut.
If you tell me you've used a similar cut to turn a horizontal limb sideways, I take you at your word. But that is not the purpose or methods described and diagramed in the book.
IN GRATTIDE AND WITH APPRECIATION TO YOU AND ALL HERE AT THE HOUSE!
Thanks again for all you support and inspiriation.